A universal export genre: the slavic horror of Ancient Rus myths is almost unused on screen. Leshy, rusalka, kikimora, domovoy โ our films carry these creatures across world festivals.
We do not invent fictional monsters: our script team returns to primary sources โ chronicles, bylichki and ethnographic records of the 19th century.
Slavic or pagan horror has almost no competition: the global audience knows the theme superficially, and the Russian audience is starving for honest native fear. A feature slavic horror film is the chance to claim this niche before it fills up.
Yes. This is exactly the niche that festivals treat as novelty: a national myth in an honest genre form. Our projects have 14 awards worldwide.
No. It is horror: fear, darkness and real stakes. Folklore is the source, not the decoration.
A short slavic horror film (3โ15 min) is the fastest route to the first award; a feature is the route to the large audience.
Yes, we make both russian horror and slavic mythology, and often combine them in one project.